The Notre Dame renovation project is the first attempt to solidify the notion of Digital Rococo, at the aesthetic level the inquiry seeks to provide the same dramatic performance of the Rococo through the use of non-deterministic design techniques. The body of work highlights the interrelations between networks of curves whose origins, on one hand, derive from the innovation of the Tas-De-Charge, and on the other, derives from observing physics-based simulations that demonstrate the natural draping phenomena found in fabrics. The theoretical project, unlike previous projects, seeks to inspect a more controlled aesthetics where a methodical approach of introducing voxel cells to divide architectural and structural members into discrete elements provides a beacon for the erratic non-deterministic nature of cloth simulated forms to flourish.